Playing now...
Headlong and Curve Theatre, Leicester present
Salome
by Oscar Wilde
directed by Jamie Lloyd
22 June - 17 July 2010
How pale the Princess is! She is like the shadow of a white rose in a mirror of silver...
Overview
The savage power of ancient myth collides with twentieth century decadence in Oscar Wilde's astonishing verse tragedy. Salome, step-daughter of King Herod agrees to perform the mysterious dance of the seven veils but demands in return the head of the King's most infamous prisoner. The head of John the Baptist.
Wilde's Salome is a dazzling, shocking piece of storytelling from one of the greatest writers of the last two hundred years. It is fragile, savage and shimmeringly beautiful, rendered in exquisite poetry and unforgettable theatrical images.
She is monstrous thy daughter.
I tell thee she is monstrous.
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Jamie Lloyd is one of the most acclaimed young directors in British theatre. Recent work includes Piaf (Donmar / West End), Three Days of Rain (West End) and the award-winning The Pride (Royal Court).
Headlong and Curve Theatre, Leicester present a vivid contemporary production of this rarely-seen masterpiece. Headlong is one of the country’s most innovative theatre companies. Recent work includes the critically acclaimed productions of Six Characters in Search of an Author (West End) and ENRON (West End/Broadway).
‘Headlong Theatre is this country’s most exciting touring company’ Daily Telegraph
Contains nudity and scenes of a sexual nature.
Prices & Times
PRICES:
Previews & Mondays: £15
Tuesday - Friday Evenings & Matinees: £20
Saturday Evenings: £25
Discounts available
A Night Less Ordinary
A limited number of free tickets available for under 26s every Thursday and Friday night.
TIMES:
Running 22 June - 17 July (previews 22-23 June)
Monday - Friday Evenings at 7:30pm
Saturdays at 4pm and 8pm
Wednesday Matinees (30 June and 7 July) at 2:30pm
Captioned performance and post-show discussion with speech to text transcription Tuesday 13 July at 7:30pm
Audio described performance Saturday 17 July at 4pm
Running Time: approximately 90 minutes with no interval.
Also touring to Guildford, Richmond, Oxford, Newcastle and Brighton. See www.headlongtheatre.co.uk for details.
Cast & Creative Team
Cast: Zawe Ashton, Richard Cant, Vyelle Croom, Sam Donovan, Jaye Griffiths, Con O’Neill, Nitzan Sharron, Tom Byam Shaw, Seun Shote, Tim Steed.
Director: Jamie Lloyd
Set and Costume Designer: Soutra Gilmour
Lighting Designer: Jon Clark
Composer and Sound Designers: Max and Ben Ringham
Movement Director: Ann Yee
Gallery

Tom Byam Shaw in Salome

Zawe Ashton in Salome

Tim Steed, Seun Shote and Vyelle Croom in Salome

Con O'Neill and Jaye Griffiths in Salome

Richard Cant, Jaye Griffiths, Tom Byam Shaw, Con O'Neill, Vyelle Croom and Tim Steed in Salome

Jaye Griffiths in Salome

Tom Byam Shaw, Nitzan Sharron, Richard Cant, Vyelle Croom and Tim Steed in Salome

Con O'Neill in rehearsal for Salome

Director Jamie Lloyd in rehearsal for Salome

Con O'Neill and Richard Cant in rehearsal for Salome

Con O'Neill in rehearsal for Salome

Con O'Neill and Richard Cant in rehearsal for Salome

Sam Donovan in rehearsal for Salome

Director Jamie Lloyd in rehearsal for Salome

Zawe Ashton in rehearsal for Salome

Zawe Ashton in rehearsal for Salome

Vyelle Croom in rehearsal for Salome

Jay Griffiths and Zawe Ashton in rehearsal for Salome

Seon Shote in rehearsal for Salome
Reviews
REVIEWS:
'With its high-flown symbolic language, archly repetitive musical cadences and pulsating undercurrent of erotic decadence, few British directors have been brave enough to tackle Oscar Wilde’s magnetic biblical tragedy… Lloyd drags Wilde into the here and now via strong choices that push at the play’s themes and slam into its poetry.'
The Times ****
'The play is lyrical, exotic and dark in the extreme. .. directed by rising star Jamie Lloyd.'
What’s On Stage
INTERVIEWS:
'I think Salome demands a new take, a new vision, and you need to let your imagination run riot to achieve that... A lot of what we’re doing has been created through improvisation so the whole company feels ownership of this piece. There’s also lots of movement, massive visuals, bold lighting effects, big sound effects, original music – and lots and lots of blood!'
'Brief Encounter with Jamie Lloyd', What's On Stage








