FIRST THREE PRODUCTIONS OF 2019 ANNOUNCED
Posted on 16 November 2018.
Posted in: Announcements
- Martyna Majok’s 2018 Pulitzer Prize winning drama, Cost of Living, makes its UK premiere and will be directed by Edward Hall on the Main Stage.
- Cost of Living will be Edward Hall and Greg Ripley-Duggan’s 100th Premiere since starting at Hampstead in 2010.
- The world premiere of Hannah Patterson’s modern-day David and Goliath drama Eden will be directed by Matthew Xia for Hampstead Downstairs
- The world premiere of Kellie Smith’s breakthrough play Wilderness will be directed by Anna Ledwich for Hampstead Downstairs.
- A capital campaign is announced to fund Hampstead’s 60th Birthday makeover.
COST OF LIVING
Written by Martyna Majok
Directed by Edward Hall
24 January – 9 March
‘Roads are dark. America’s long’
Winner of the 2018 Pulitzer Prize for Drama, Martyna Majok’s Cost of Living receives its highly anticipated UK Premiere at Hampstead Theatre – making it the 100th premiere since Edward Hall and Greg Ripley-Duggan took charge in 2010.
Martyna Majok’s exquisitely original, honest and deftly funny new play explores our need to connect and be loved regardless of the gulfs that disability, race, class, and wealth place between us.
John, a wealthy, brilliant, and successful PhD student with cerebral palsy, hires Jess, a recent graduate who has fallen on hard times, as his new carer. Across town, truck driver Eddie attempts to support and re-engage with his estranged wife, Ani, following a terrible accident that has left her quadriplegic. As four very different lives collide and entwine, roles are unapologetically flipped, reversed and exposed - who is actually caring for whom?
Martyna was born in Bytom, Poland and raised in working class Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama for Cost of Living (Williamstown Theatre Festival, Manhattan Theatre Club). Other plays include Sanctuary City (New York Theatre Workshop); Queens (LCT3/Lincoln Center/La Jolla Playhouse) and Ironbound (Steppenwolf Theatre Company/Round House Theatre/WP Theater/Rattlestick Playwright Theater/Geffen Playhouse and other theatres in America and abroad including The National Theatre of Warsaw in Poland). Awards include The Lucille Lortel Award for Outstanding New Play, The Greenfield Prize (first female recipient in drama), Champions of Change Award from the NYC Mayor’s Office, Francesca Primus Prize, two Jane Chambers Playwriting Awards, The Lanford Wilson Prize, The Lilly Award's Stacey Mindich Prize, Helen Merrill Emerging Playwright Award, Charles MacArthur Award for Outstanding Original New Play from The Helen Hayes Awards, Jean Kennedy Smith Playwriting Award, ANPF Women's Invitational Prize, David Calicchio Prize, Global Age Project Prize, NYTW 2050 Fellowship, NNPN Smith Prize for Political Playwriting and Merage Foundation Fellowship for The American Dream. Martyna is a Core Writer at Playwrights' Center, NYTW Usual Suspect, and a member of the Dramatists Guild and the Writers Guild of America East. Television and film work includes HBO, Focus Features/Maven Pictures and Apple TV. She was the 2015-2016 PoNY Fellow at the Lark Play Development Center and is a 2018-2019 Hodder Fellow at Princeton University.
As Artistic Director of Hampstead Theatre, Edward Hall’s productions include I and You; Cell Mates; Filthy Business; Rabbit Hole; Wonderland; Sunny Afternoon (also Harold Pinter Theatre/UK tour); Raving; Chariots of Fire (also West End); No Naughty Bits; Loyalty; Enlightenment, The Strange Death of John Doe and Firebird (Hampstead Downstairs/Trafalgar Studios). As Artistic Director of Propeller, productions have included Rose Rage (adapted from Henry VI, I, II & III); Henry V; The Winter’s Tale; The Taming of the Shrew; Twelfth Night; The Merchant of Venice; Richard III; A Midsummer Night’s Dream and The Comedy of Errors. His Propeller work has toured worldwide, played the West End and Broadway (as well as regular seasons at Hampstead Theatre) and has won numerous Awards both in the UK and overseas. Other theatre work includes Once in a Lifetime with David Suchet (National Theatre); A Streetcar Named Desire with Natasha Richardson (Roundabout, New York); A Funny Thing Happened on the Way to the Forum (National Theatre); Mark Ravenhill’s Dick Whittington (Barbican); Calico (Duke of York’s); Edmond with Kenneth Branagh (National Theatre); Two Men of Florence (Huntingdon, Boston); Macbeth with Sean Bean (Albery); The Constant Wife (Apollo); Julius Caesar (RSC); Tantalus (Denver Centre and UK tour); Henry V (RSC); The Deep Blue Sea (Vaudeville) and The Two Gentleman of Verona (RSC). Television work includes The Durrells; Partners in Crime, a six part series for the BBC; Restless; Downton Abbey; Strike Back; Spooks; Kingdom; Trial and Retribution; Miss Marple - Sleeping Murder; Cutting Edge: Safari Strife and Richard III.
HAMPSTEAD DOWNSTAIRS / CELIA ATKIN PRESENT
Written by Hannah Patterson
Directed by Matthew Xia
7 February – 16 March
‘It’s perfect, isn't it? The most perfect spot I think I’ve ever seen… An unspoiled, natural beauty. Which makes it utterly ripe for development…’
Hampstead Theatre presents the world premiere of Hannah Patterson’s Eden. Directed by Matthew Xia, Eden is inspired by real events and is a modern-day David and Goliath drama about the importance of fighting for what’s right – whatever the outcome.
Eden is an idyllic coastal village of astonishing beauty, and home to an active community who are eager to protect it at all costs. Even the infamous Aaron Chase, an American property tycoon intent on building a luxury golf course, can’t name a price they’ll accept. But his star employee Sophie, a former Eden resident, might be able to broker a deal, so Chase plans to exploit her invaluable connections and local knowledge. Forced to confront her past, will Sophie be content to act as Chase Enterprises’ bulldozer or will deeper loyalties come to the fore?
Hannah Patterson returns to Hampstead Downstairs after the two successful productions Platinum and Giving. Her play Playing With Grown Ups was nominated for an Off West End Award for Best New Play and transferred to 59E59 in New York as part of the Brits Off Broadway Festival. Having participated in a residency with Paines Plough, she has written for and performed as part of the company’s Come to Where I’m From series. As a writer for film, she is currently working on an adaptation of her play Much with Tilt Films and two features for the BFI. She has been invited to participate with projects on the Edinburgh International Film Festival Talent Lab, London Film Festival’s Think-Shoot-Distribute, Creative England’s Net.work and the LA CineStory Screenwriting Lab. Hannah is currently on the Headlong Headstart writer’s programme and the UK film industry’s leading mentoring scheme Guiding Lights, under the guidance of David Hare.
Matthew Xia was previously Associate Artistic Director at the Royal Exchange Theatre, RTYDS Director in Residence at The Liverpool Everyman & Playhouse and Associate Director at Theatre Royal Stratford East. Directing work for the Royal Exchange includes Frankenstein, Wish List (also Royal Court); Into The Woods and Brink. Other directing work includes Shebeen (Nottingham Playhouse/Theatre Royal, Stratford East), Dublin Carol (Sherman Theatre); Blue/Orange, The Sound of Yellow and Sizwe Banzi Is Dead (Young Vic/Eclipse); Suckerpunch Boom Suite (The Barbican/NitroBEAT); Migration Music and Scrappers (Liverpool Everyman/Playhouse); Sleeping Beauty, Cinderella, Jean Genet's The Blacks and I Was Looking at the Ceiling and Then I Saw the Sky (all Co-Director, Theatre Royal Stratford East/Barbican); Bush Meat (HighTide); Mad Blud and Aladdin (both Associate Director, Theatre Royal, Stratford East); Soundbites: Ruth the Divorcee and Barry the Love-Sick Bee (Lyric Theatre Studio/Bestival); Soundbites: Abandonment (Rich Mix) and Wild Child (Royal Court Rough Cut). Matthew has also worked extensively as a Composer and Musical Director for Stratford East and numerous other UK theatres and events.
HAMPSTEAD DOWNSTAIRS / CELIA ATKIN PRESENT
Written by Kellie Smith
Directed by Anna Ledwich
21 March – 27 April
‘We can do better – can’t we?’
Hampstead Theatre presents the world premiere of Kellie Smith’s breakthrough play Wilderness. This searing exploration of unconditional love and of the personal sacrifices it demands will be directed by Anna Ledwich.
Having both been deeply scarred by their own parents’ separations, Joe and Anne never imagined they’d find themselves, years later, in the same position. Determined to place the interests of their son Alistair at the centre of their lives apart, they split with the firm objective of maintaining amicable relations at all costs. But a sudden change in circumstance triggers a chain of events that pushes their best intentions to the limit… Before they know it, they are both teetering dangerously close to the edge of an abyss.
Kellie Smith writes for theatre, film and radio and is currently developing ideas for TV. Her short films To Know Him and The Big Day have both been BIFA nominated and To Know Him was also nominated for a Royal Television Award. She has been shortlisted for the Bruntwood Prize and Channel Four playwright in residence at the Royal Exchange Theatre. Previously produced work for theatre includes Black Gold (Royal Exchange Studio); The Sum of Parts (Liverpool Everyman) and Blackout (The Dukes Theatre, Lancaster). Her play The Monstrum was part of NT Connections and she has written other plays for young people including The Lost Things, which won Theatre Centre’s ‘Skylines Showcase’. Kellie has written three afternoon plays for BBC Radio Four, the most recent being The Archivist.
Anna Ledwich began her directing career at Theatre503. She was awarded the Michael and Morvern Heller Director’s Bursary at Chichester Festival Theatre and was co-Artistic Director of Theatre on the Fly for Chichester’s 50th Anniversary Celebrations. Anna received the Gate Theatre/Headlong New Directions Award for her adaptation of Frank Wedekind’s Lulu and was nominated for the 2015 Olivier Award for Outstanding Achievement in an Affiliate Theatre for Four Minutes Twelve Seconds at Hampstead Downstairs and the 2018 Olivier Award for Best Comedy for Dry Powder at Hampstead Theatre. Recent work includes Cookies (Theatre Royal Haymarket); Dry Powder and Labyrinth (Hampstead Theatre); Acceptance; No One Will Tell Me How to Start a Revolution; The Argument; Deluge; Donny’s Brain and The Empty Quarter (all Hampstead Downstairs); Kiss Me and Four Minutes Twelve Seconds (both Hampstead Downstairs/West End); The Stick House (Raucous Collective/Bristol Old Vic); Blue Remembered Hills and A Christmas Carol (both Chichester Festival Theatre); Dream Story (Gate) and How Does A Snake Shed Its Skin (Summerhall/National Theatre Studio). Anna’s adaptation of Beauty and the Beast premiered at Chichester Festival Theatre in 2017.
Casting for Cost of Living, Eden and Wilderness will be announced in due course.
Priority Booking for Hampstead Theatre members and Under 30s Downstairs Club opens Friday 16 November. Public Booking opens Friday 23 November.
For more information about Hampstead’s free membership club for Under 30s, please visit https://www.hampsteadtheatre.com/about-us/the-downstairs-club/
HAMPSTEAD’S 60TH BIRTHDAY MAKEOVER
Next year is Hampstead Theatre’s 60th Birthday and in this landmark year the theatre plans to extend its auditorium with the addition of 41 new seats. This additional capacity increases the number of tickets available each year by 11,500 and is created in response to the high demand for much of Hampstead Theatre’s programme and will also help support its future financial sustainability. The project will include an overall refurbishment of the space, in which over one million people have seen a performance since the building opened in 2003. Hampstead Theatre has launched a fundraising campaign to meet the £440,000 project cost, and has raised over £100,000 to date. The theatre is appealing to its audiences who can support the 60th Birthday makeover by making donations and naming a seat.
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KEEPING YOU SAFE AT HAMPSTEAD
REDUCED AUDIENCE CAPACITY
FACE MASKS REQUIRED
START OF THE ART VENTILATION
HAND SANITIZING STATIONS