'The Tyler sisters start as they mean to go on: bickering. Middle sister Gail (Bryony Hannah) has come home from uni to find that youngest Katrina (Angela Griffin) has stolen her room. “What about Maddy’s? Why didn’t you take that?” Gail snaps. “She’s in it,” Katrina points out. “I am in it, to be fair,” confirms eldest Maddy (Caroline Faber), trying her best not to take sides. “I am actually in it.”

A traditional family drama might have maintained this dynamic throughout – so often in plays and television series, we see the same feuds arising between the same siblings in later life – even as the sisters have become grown women by the end of this lovely new play, premiering at the Hampstead Downstairs. Writer Alexandra Wood and director Abigail Graham plot a different course: allegiances shift, old rivalries are abandoned and taken up again. The marketing blurb refers to the “deep and unruly waters of sisterhood,” reflected in Naomi Kuyck-Cohen’s deceptively simple set: blue paint laps at the walls, dotted here and there with glow-in-the-dark stars.'

'Griffin is equally convincing early, as a bratty teenager, and later, as a witty-yet-vulnerable single mum. Her suggestions for the sisters’ revenge on Gail’s cheating boyfriend are a highlight: “I’ve got a whole list. They might not be original ideas, but if it gets the job done, what’s it matter?” Hannah... hits her stride – literally, zooming around the stage on bright purple roller skates. Faber makes quiet Maddy’s inevitable explosion devastating. But like real sisters, all three are best, and most plausible as siblings, when they’re bouncing off each other. A rousing karaoke performance of the Backstreet Boys’ I Want It That Way is the most fun I've had in ages.' 

'...what this play has, more than anything, is life.'

'Three women, three lives, one bond. Alexandra Wood’s new and innovative play takes audiences on the journey of three sisters, exploring the highs and lows of being linked by blood. The play spans forty years and with admirable direction from Abigail Graham we are invited into yearly snapshots of the women’s lives. These snapshots are moments in time; some small, such as changing bedrooms, and some big, such as illness, pregnancy and break-ups. It is this lovely variation that keeps the audience hooked.'

'The set is incredibly intimate; the Hampstead Theatre provides a space that matches the equally encapsulated plot...Graham directs the cast fluidly about the small set without it ever feeling cluttered, with props used interchangeably to match the scenario.'  

'All actresses successfully execute character arcs and show significant development throughout the performance; this is enhanced by subtle costume changes such as the removal of a hair clip or the addition of lipstick'A shared success of all three actors was their sharp delivery of the dry humour written so successfully by Wood...making the surprising moments of humour all the more witty.'  

'Wood and Graham effectively create the feeling of sisterhood through the dialogue and direction. The arguments the sisters have are ones we’ve all had before, and the tactile physical acting is heartwarming and recognisable.'

'This piece is a lighthearted and sharp exploration of the mind-boggling dichotomy of being a sister, and what this role brings. If anyone watching is a sister, they will recognise a lot of themselves in The Tyler Sisters, fighting for those shared and endless desires to be heard, listened to and understood.'